“”””AVAILABLE COVER WILL BE SENT””””STILL ALL THE REQUESTS FOR THE SPECIFIC COVERS ARE ALWAYS WELCOME””””PRIORITY WILL BE GIVEN TO THE REQUESTED COVER IF AVAILABLE””””OTHERWISE BUYER WILL BE NOTIFED IF REQUESTED COVER IS UNAVAILABLE””””THEN AVAILABLE COVER WILL BE SENT UPON BUYER’S REQUEST””””PLACE YOUR ORDER WITHOUT ANY HESITATIONS”””””
In this issue:
Purple Magazine’s Revolution Issue is its most passionate ever, with stories infused with the love for change and alternative solutions and yet full of heartache for regression and inequalities in this revolutionary era.
“No one believes anymore in the idea of revolution. It’s a term from the past, associated with violence, political failures, and lost illusions.
Yet, deep within us all, we see the. need for radical change. My generation dreamed of an artistic alternative, an indie counterculture, and a cyberpunk underground. But we’re beyond that. The future of our planet is at risk, and social inequality has never been more extreme. Change is not an option. For new generations, it’s a duty, an impossible mission we’re entrusting to them.
French writer Virginie Despentes states it radically: “Not all generations have aspired to change the world; not all generations have been given the duty to change the world.
My generation was never told, even change the surd, gou re you cont to die. They are gender-fluid, and they are pansexual; they are racialized or supportive of the racialized;
They no longer want to be confined and defined by poverty and injustice; they are shamans; they are witches. And what interests me is to be able to tell them everything is possible, starting with the best, and it’s a matter of desiring something else.
In fact, the revolution is not to come.
It’s already here. The revolution is permanent and multifaceted.
All generations are now facing a chaotic period of multiple revolutions, some exciting, others dangerous, and yet others disastrous. To name a few: the climate crisis, cosmological, discoveries, quantum theories, post-humanism, the rise of artificial intelligence, neuroscience, the gender revolution, and the burgeoning psychedelic revolution. All these mutations coexist to form a paradoxical world of fantastic promises but a so of insane risks, which ultimately create confusion.
We are propelled by a revolutionary élan without knowing it, and a thousand revolts, a thousand angers, a thousand signs, a thousand discov-eries, and a thousand other possibilities testify to it. The point, as Virginie says, is not to be afraid. It’s a question of desire. We still have the opportunity to change the world.”
In 1992, Elein Fleiss and Olivier Zahm started the magazine Purple Prose as a reaction against the superficial glamour of the 1980’s; much as a part of the global counterculture at the time, inspired by magazines like Interview, Ray Gun, Nova, and Helmut Newton’s Illustrated, but with the aesthetics of what usually is referred to as anti-fashion. Based on their personal interests and views; Purple was, and in a sense still is, made much in the same spirit of the fanzine. The magazine quickly became associated with the “realism” of the new fashion photography of the 1990’s, with names like Juergen Teller, Terry Richardson, Wolfgang Tillmans, and Mario Sorrenti. Purple Fashion magazine is high quality, chunky and seriously good, published in France, printed in both English and French.
Details: Purple Fashion Magazine Issue 40
25 x 17 x 3 cm
“”””NEWSSTAND EDITION””””BRAND NEW”””””